2.12.11
26.11.11
Museum Gallery/Gallery Museum
Since graduating from East Jessamine Middle School in the late 90s, Jacob Isenhour and Will Tucker have maintained a conversation about their artistic research. With a common concern for how labor conditions and production time dominate environment and energy relations, these artists look for ideas and potentials that outfall property lines.
Will Tucker, a resident of Nashville, TN
Third Party Gallery
Exhibition runs through January 3, gallery hours Saturdays from 12-4, or by appointment
A Whole New World, Third Party Gallery's December exhibition, takes an irreverent look at the symbol of the magic carpet, presenting work that aims to deconstruct its narrative. Seven artists working in a variety of media have been asked to investigate the stigma that the magic carpet carries: Orientalism, exoticism, and the overall phantasmagoria of cultural hubris that the politics and culture of the 21st century have endowed upon it
ARTISTS
Murat Adash
Abdullah M. I. Syed
Jenny Ustick
Ansuman Biswas & Jem Finer
Chris Collins
Yelena Zhelezov
22.11.11
UC School of Art Lecture Series
13.11.11
9.11.11
Prairie
Hetero-Types: Science in Contemporary Art Making.
Opening Reception Saturday Nov. 12th from 7-9pm.
Prairie is pleased to present work by Cincinnati artist Kimberly Burleigh, San Francisco artist Caren Alpert and Arizona artist David Tinapple. Kimberly Burleigh employs a unique blend of methods from both fields of art and science in producing her oil paintings and watercolors. She explores her interest in the behavior of light across the surface of and through liquids by creating computer simulated models of liquid surfaces lit by artificial light sources. She then transfers these "still lives" onto canvas using the traditional methods and tools of oil painting. Her final works are, in one sense, straight recordings of computer generated shapes, and in another, highly stylized abstractions of the real world rendered with limited color palettes which evoke the experiments of mid-20th century color field painters.
Prairie
4035 Hamilton Ave.
Cincinnati, OH 45223
More info@Reed Gallery, UC (daap)
College of DAAP
DAAP Galleries
Present:
Napoli Senza Titolo: Naples Untitled
A photographic exhibition exploring the relationship between Naples and its public spaces
Naples is a city of extremes. Famous for its beauty and creative spirit, it's also associated with environmental degradation and political corruption. This exhibit presents a look at the Naples of the last forty years, showing the variety of ways in which the city has responded to challenges facing it, and offering a narrative of the city that incorporates the many facets of its character, allowing each viewer to enter the cityscape in their own way. The exhibit explores the ways in which public spaces in Naples continue to be relevant and provide people with a sense of belonging.
The exhibition is called Naples Untitled because Naples is a city in flux, living between its hopes for a better future and fears of further decline.
PAC Gallery
These principles are what fuel the focus of this exhibition and are indicative in the artists presented.
4.11.11
Museum Gallery/Gallery Museum
1.11.11
IS THIS THING ON?
OPENING + BYOB
FRIDAY NOVEMBER 4TH, 7:00-10:00
Exhibition:
November 5, 2011 — April 2012
Curated by Jordan Tate and Aaron Walker, this exhibition presents three distinct subsets of video art practice. Each one addresses specific concerns relative to the history and future of video art ranging from early portapack experiments to more recent explorations of internet culture and sculptural video installations. The first installment, Screen Test (Nov 5), traces the history of performance video, showcasing the changing role of technology and new media trends. The second, Quality Control (Dec 19), looks at process-based works and the role of video art in a broader, new media context. The final phase, New Forms (Feb 11), builds on the previous installations to consider the future of combined media works and challenge popular assumptions of both the form and function of contemporary video art.
BYOB: Bring Your Own Beamer, a party with artists and their projectors. BYOB events are dynamic, collaborative experiences that take place all around the world. This event kicks off the three-phase video-based exhibition Is This Thing On?
24.10.11
UC Visiting Artist
Lecture: 4pm, Weds, October 26th in 5401
About: Janis Crystal Lipzin is a film artist who has been active for more than 30 years in media arts education, curatorial actions, and critical writing. She taught Film at the renowned San Francisco Art Institute from 1978 to 2009 where she served as Chair of the celebrated Film Department. She has made more than two dozen films and videos since 1973. Lipzin also creates photo-based inter-media work, including viewer-activated installations and film/video sculpture. Some subjects her work has addressed include arson-pyromania, pre-historic murder, pesticide abuse, and medical controversies. Her many awards include three National Endowment for the Arts Fellowships and purchase awards from the Carnegie Museum of Art, Rene di Rosa Foundation and Kramlich Collection. Her films and photo work has been featured in numerous museum shows including the Whitney Museum, Museum of Modern Art, Kunstmuseum (Bern), Institute of Contemporary Art (London), Berkeley Art Museum, and the Corcoran. Her independent films and videos are distributed internationally. She has curated media shows in London, New York, Kuala Lumpur, San Francisco, Bologna, Seoul and Busan (Korea). In addition, she founded and directed EYE MUSIC, the pioneering microcinema that produced media events at 80 Langton Street and the Exploratorium in San Francisco and internationally.
Website: http://canyoncinema.com/catalog/filmmaker/?i=201
Video Links: http://www.quicksilvermineco.com/shows/boxed_in/lipzin.html
17.10.11
Meyers Gallery, University of Cincinnati
We cordially invite you to join us for this unique exhibition featuring the work of Cincinnati native Orville Simpson II self taught planner, architect, designer, and artist. In this exhibition we will present Mr. Simpson’s vision for the development of future urban centers. This Utopian metropolis design has been driven by Simpson’s concern with urban sprawl, pollution and sustainability. Orville’s dream has been an ongoing passion rooted in a notion that first came to him in 1936 at the age of thirteen and has become his life’s work.
Artist Reception: Thursday, October 20th from 5-7pm, Exhibition runs: October 17th- November 18th
Gallery Hours: Sunday-Thursday10am-5pm
Location: Philip M. Meyers Jr. Memorial Gallery
(Steger Student Life Center)
14.10.11
CAC - Critical Visions Closing Party
Reception is 7-10pm (and free!) October 14th, 2011
Please don't forget to join us tonight at the Contemporary Art Center (44 E. 6th Street) for a closing reception and prIvate viewing at the Contemporary Arts Center downtown.
There will be hors d'oeuvres, DJ, cash bar, and opportunities for lots of discussion!10.10.11
Third Party Gallery
For Third Party's second exhibition, we look at the term "dictat," an antiquated word referring to the "technique used to simplify and influence the decision making process by using words and images to tell an audience exactly what actions to take, eliminating any other possible choices." With this in mind, we have commissioned nearly twenty artists to create posters dealing with specific political agendas in order to investigate the practices in branding, spinning, redacting, and various other seemingly intrinsically targeted motives found in strategical information dissemination. |
Losantiville
Brazee Street Studios - Gallery One One
University of Cincinnati - CRITICAL VISIONS
Attention all - this is going to be great. It is FREE, and we would love to see you there. All you need to do is register online. Go HERE
All the information about the symposium is HERE.
The symposium will host an international group of innovative scholars, artists, and media-makers—particularly those with first-hand experience institutionalizing inter- and cross-disciplinary programs of visual culture research, teaching, and practice—to present their work and discuss how UC faculty and students can think about visual culture in new ways.
In addition to the sessions at UC there will also be events off-campus, including a preview screening of Raul Barcelona’s new documentary Don’t Even Think of Parking Here followed by a discussion with the film’s director and star, Jimmy Justice, at the Esquire, Critical Visions-themed exhibitions around town.
Phyllis Weston Gallery
6.10.11
University of Cincinnati Reed Gallery
University of Cincinnati
College of DAAP
DAAP Galleries Present: 2011 DAAP Faculty Show
We cordially invite you to join us for the 2011-12 season opening event and reception as the University of Cincinnati, DAAP proudly present work from faculty in all four schools within The College of Design, Architecture, Art, and Planning. This Exhibition presents a rare opportunity to see the creative endeavors our faculty members have been engaged in within their respective fields.
Artist Reception: October 6th from 5-7pm
Exhibition runs: September 29-October 26
Gallery Hours: Sunday-Thursday10am-5pm
Artworks
1.10.11
University of Cincinnati
Photography by David Jay Sept 29-Oct 2nd. General admission tickets (free) are available in the wellness center in Sturger Student Life Center, right next to the LGBTQ office, or on the floor above the women's center.
General admission times are:
Fri 9/30 from 11-12 and 1-5
Sat 10/1 from 11-4 and 5-8
Sun 10/2 from 12-4
It's located at: Art Design Consultants Gallery 310 Culvert St, 5th floor, Cincinnati, OH 45202
More information can be found at http://thrscarprojectcincy.blogspot.com.
29.9.11
Prairie
Prairie
4035 Hamilton Ave.
Cincinnati, OH 45223
More info@Final Fridays, OTR
CAC
More Info | October's 44 will feature improvisations by the local experimental, acoustic folk trio Honest Abe. Featuring Adam Peterson on drums, Eddy Kwon on violin and Brodie Johnson on cello. This event is free and open to the public. The show starts at 2 PM in the lobby of the CAC, Kaplan Hall. For more information: (http://honestabesound.band |
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PAC Gallery
21.9.11
CAC
'Realms of Intimacy: Miniaturists Practice from Pakistan' & 'Julião Sarmento'
(Open to CAC Insider Level Members & Above • Complimentary Valet)
6:30 Panel Discussion with 'Realms of Intimacy' Artists: Ambreen Butt, Faiza Butt and Saira Wasim (Open to the Public)
More on the exhibitions:
http://contemporaryartscen
http://contemporaryartscen
CS13
Utopia, OH
Opening Saturday, Sept. 24th from 7-10 PM
Through Saturday, October 15th
Open gallery hours Sundays from 1-4 PM
This October CS13 will close out our two-and-a-half year run as a multi-disciplinary art space with one last act of social dreaming. This final gallery project is a group exhibition themed around the small river town of Utopia, located 45 miles out of Cincinnati along U.S. Route 52. The town is marked by a green road sign, a convenience store with a single gas pump, a handful of half-mile long streets that run down to the riverbank, and a Ohio Historical Marker that reads:
"Utopia, Ohio was founded in 1844 by followers of French philosopher Charles Fourier. Fourierism, based on utopian socialism and the idea of equal sharing of investments in money and labor, reached peak popularity in the United States about 1824 until 1846. The experimental community of Utopia dissolved in 1846 due to lack of financial success and disenchantment with Fourierism. John O. Wattles, leader of a society of spiritualists, purchased the land and brought his followers to Utopia in 1847. The spiritualists, who sought secluded areas to practice their religion, built a two-story brick house on the shore of the Ohio River. A flash flood on December 13, 1847, killed most of Wattles' people. The majority of the few survivors left the area. Thus, the idea of the perfect society, or utopia, died. Henry Jernegan of Amelia, laid out the present village in 1847."
Taft Museum of Art
Taft Museum of Art, 316 Pike Street, Cincinnati 45202
15.6.11
Prairie
Body of Art
This group show will explore innovative methods developed by contemporary
artists to use the human body (theirs or someone else’s) in the production
of their work. The show will include works which are made with a unique
gesture, performance or use of the body which is visible in the final
product itself.
[Opening Reception June 17, 7 pm – 12 am. Show runs through August 20.]
Prairie
4035 Hamilton Ave.
Cincinnati, OH 45223
More info@
513-582-9833
2.6.11
22.5.11
University of Cincinnati
Clifton Cultural Arts Center
University of Cincinnati MFA Thesis Show!!
Opening this Friday, May 27th from 6-9pm. The show runs from May 27th through June 11th(with CCAC business hours after opening night)
20.4.11
CAC
14.4.11
Museum Gallery/Gallery Museum
Museum Gallery/Gallery Museum
1218 Sycamore St, Cincinnati OH
Nam June Paik, the “Father of Video Art,” was an artist who explored the boundaries between art and emerging technologies. Prior to his death in 2006, Nam June created numerous acclaimed artworks using the tools of video, computers, and televisions, with perhaps his most recognizable being his series of “TV Robots.” Now, these pieces have become case studies for museums in preserving new media work. Paik left no instructions on his vision for the future of these pieces, so now conservationists are left to ask: What would Nam June do?
Opening Reception Friday, April 15, 2011 from 5 PM - 8 PM
CS13
Located at 1420 Main Street, Cincinnati 45202
Land Before Skype" will feature work by Jason Lazarus, Amanda Long, Matthew Barton, Liz Rodda, William Boling, Kara Hearn, Paint FX, Mark Beasley, Chris Collins and Steve Kemple.
The exhibition will run through Friday, April 29th. CS13 will be open on Sunday, April 17th and 24th for gallery hours from 1 to 4 PM.
Opening reception Friday April 15th from 6-10pm
30.3.11
Prairie
Meyers Gallery, University of Cincinnati
Location: DAAP Galleries
Philip M. Meyers Jr. Memorial Gallery
Steger Student Life Center Rm 465
Present:
TOMMY HARTUNG
In this exhibition, New York based video artist Tommy Hartung’s work will investigate common mythmaking and story telling tropes that often address the relationships between education, history and religion. Hartung creates alternate worlds in his studio made from ordinary objects (water mirrors’, plants, various found objects) altered for the camera, resulting in elaborate stop motion animations using low tech, yet innovative lighting techniques and camera settings. The result is simultaneously visually hypnotic and self-critiquing, probing further into the divide between dogmatic teaching and objective accounts of the past. Hartung explores the use of entertainment and cinematic devices often used to communicate knowledge between generations and the manner this information is transmitted. By exposing the mechanics of the moving image Hartung provides the means to excavate the past, examines how we transcribe the present and invariably casts doubt into the future.
Opening Reception: Friday April 15th , 2011 4-7pm
Exhibition runs: April 4th – 29th, 2011